Friday, August 31, 2018

Friday Quote: The Little Hours

"Sister Ginevra, these are your sins: ingestion of drugs, lying with a woman, not being baptized...Not being baptized? That's what makes you what you are! You can't... you shouldn't even be coming through those doors! Being a busybody, filthy conversation, vain jangling, drinking, eating blood. Do you think I've ever written down "eating blood" before? Where am I? Envy, fornication, homosexuality...that's the same as lying with a woman, but we separate those. Lustfulness, reveling, mischief in your heart. That's the longest list I've ever had...for sins."
The Little Hours (2017)

Tuesday, August 28, 2018

Sight & Sound Challenge: The Leopard (1963)

Film: The Leopard (230/250) 
First Time/Rewatch: First Time

Okay guys, full disclosure. I'm really close to being done with this list, but I likely won't finish. I started over three years ago while I was going through the process to become a foster parent, and I needed a distraction from the anxiety of waiting to become a parent. Well, now I am the parent of a rambunctious (and adorable) toddler who takes up a LOT of my now very precious time. A lot of the remaining films are either unavailable/impossible to find, or 3+ hours long, in some cases 4, 5, 6, 8, or 12 hours long. 12 hours! I'll do my best, but I won't kill myself, and I'm still watching a film almost every night. I just don't have the stamina for the super long ones. So that's the long story of why it took me so long to get to this one, and why I had a few mini-naps peppered throughout my viewing. 

It's not boring, it's just long. I understand why it has the long run-time. It's the story of Don Fabrizio Corbera, Prince of Salina. He is coming to terms with the end of an era, the end of a way of life, his way of life. It's a story that would feel strange being told in 90 minutes. The scope, the lush colors (seriously, you could frame any still from this movie), it feels epic. I may have nodded off a couple times (lots of loooong conversations) but it's easy enough to follow, and Claudia Cardinale kept me coming back. Seriously, she's so gorgeous in this. Burt Lancaster gives a lovely and restrained performance. You feel his whole life in his eyes and his posture. He's tired, he feels old, and he is melancholy seeing the change in his world, even as he knows it is necessary. He's saying goodbye and good luck to a new Italy, one that he will not be a part of. And we see this new beginning ushered in the most gorgeous ball scene ever. Even if you don't sit through the rest of this, you have to see the ballroom scene. It's too beautiful. Just another example of the visual power of cinema, transporting us as if by magic. 

Friday, August 17, 2018

Friday Quote: Morocco

"What am I bid for my apple, the fruit that made Adam so wise? On the historic night, when he took a bite, they discovered a new paradise. An apple, they say, keeps the doctor away, while his pretty young wife has the time of her life, with the butcher, the baker, the candlestick maker... Oh, what am I bid for my apple?"
Morocco (1930)

Wednesday, August 15, 2018

Sight & Sound Challenge: The Death of Mr. Lazarescu (2005)

Film: The Death of Mr. Lazarescu (229/250) 
First Time/Rewatch: First Time

Mr. Lazarescu is sick. In fact, he is dying, but he doesn't know it. Nobody is taking him very seriously. They shrug off his complaints of pain as simply the grumblings of an old unreliable drunk. And so, knowing the title of the film, we watch him and wait for him to die. This film moves in what feels like real time: his trips to various hospitals, the tests, the doctors reluctantly examining him, the paramedic stubbornly staying by his side. The film is advertised as a black comedy, but I found it overwhelmingly depressing. We know little about this man's previous life, and we have only tuned in for the very end. The film grabs you and makes you confront your own mortality, the reality that when it's your time to go, it could very well be this bleak. But, it's a comedy, right?

Tuesday, August 14, 2018

Sight & Sound Challenge: Memories of Underdevelopment (1968)

Film: Memories of Underdevelopment (228/250) 
First Time/Rewatch: First Time

The nice thing about watching a film without any type of obligations (for me, it's the knowledge that hardly anyone is reading this and I'm not a professional film writer of any kind) is that I can watch it through whatever filter I like and bring whatever I want to that viewing to enhance it for myself. For example, when I watched The Turin Horse, I imagined that the characters were all dead and living in some kind of purgatory, which intrigued the hell out of me. In Memories of Underdevelopment, a story about a wealthy writer who decides to stay in Cuba after his wife and friends flee, I was getting Fellini vibes during my viewing. So, I decided that this character fancied himself a version of Marcello Mastroianni in his own 8 1/2, if only he wasn't stuck in Cuba. So cool, so suave, so aimless. I enjoyed the narrative jumps, the use of stills, and I really enjoyed Daisy Granados as Elena, who reminded me of photographs of my mother as a teenager. I learned a lot about the setting of Cuba at that time, a country in turmoil, and it created an even richer cinematic experience for me. More like this, please!

Friday, August 10, 2018

Friday Quote: Summertime

"You are like a hungry child who is given ravioli to eat. 'No' you say, 'I want beefsteak!' My dear girl, you are hungry. Eat the ravioli."
Summertime (1955)

Wednesday, August 8, 2018

Sight & Sound Challenge: Tropical Malady (2004)

Film: Tropical Malady (227/250) 
First Time/Rewatch: First Time

Tropical Malady isn't one film, it's two. The first half is the story of two men embarking on a romance, and the second is of a man looking for a lost villager in the woods who encounters a tiger spirit and loses himself. The second half is evocative, and works great as a stand-alone short film. I was a little frustrated at leaving the first half so soon...I wanted more time with these characters, I wanted to follow more of their story. They had a charisma and a chemistry that was irresistible, but all too soon we were moving into the darkness of the forest and leaving them behind. It took me time to settle into the second half once I realized what was happening, but it eventually captivated me like it did the poor soldier. The wind rustling through the trees, whispers, it was all so hypnotic. I need to visit it again, as I watched it in the worst way possible (on my phone while on a lunch break). I think being completely free of distractions will help me appreciate it even more. Hell, that goes for any movie.

Tuesday, August 7, 2018

Sight & Sound Challenge: Greed (1924)


Film: Greed (226/250) 
First Time/Rewatch: First Time

There's something kinda magical about silent films. I used to watch them every week back in high school thanks to Turner Classic Movies and their "Silent Sunday Nights". They were my gateway into the world of classic film and they hold a special place in my heart. Having said that, a four hour silent film (cut down from its original 9 hours, good grief!) is a lot for anyone to sit through. Luckily I was a lot more engaged than I expected to be. The plot concerns interwoven tales of greed (obviously) between two different couples, and an elderly couple who is wise enough to not let money be an issue between them. There is backstabbing, violence, murder, and some pretty chilling visuals; the one above in particular haunted me. Greed is a bit of an undertaking to watch, but apparently it was a bigger undertaking to make, and I think director Erich von Stroheim deserves my attention for it. It's important to me to see films from those early days of cinema, when everything was new and filmmakers were exploring new territory. I'm just in awe of their talent, from making little shorts to making epics like this in such a short amount of time. Makes you feel lazy, doesn't it?

Saturday, April 14, 2018

Junkies


Regardless of who is at "fault" in the whole Cannes v. Netflix battle, what I'm most curious about is whether or not this conflict will lead filmmakers to choose not to partner with the streaming giant, lest they end up in the same boat as Alfonso CuarĂ³n and Roma. The world of film financing these days is the wild west and you have to take whatever opportunities come your way or you will miss out on a chance to tell your story. But what seemed prudent last year, could come back to bite you in the end. Did Martin Scorsese know he was helping to launder stolen Malaysian money when he agreed to direct The Wolf of Wall Street? Probably not, but that's what happened. And due diligence will only shield you so far.

Remember when a movie from Warner Brothers had only one logo at the front of the film? Now it feels like you're attending an animation festival with the un-ending stream of production logos preceding a feature. Are you sure you know where these Executive Producers got their millions from? Getting caught up with unscrupulous financiers used to be the burden of indie filmmakers like the one depicted in Alexandre Rockwell's In the Soup. But nowadays, you have "studio" films like Wonder Woman receiving funds from the likes of Brett Ratner. And of course there's all that Chinese Money we keep hearing about. Everybody's hustling. Just check out the documentary Seduced and Abandoned, directed by...Oh...

When you step back and really look at the big picture, you understand why someone like Steven Soderbergh would want to abandon the film world for the world of painting. The idea of just needing paint and a canvas to express yourself must be very tempting. Yet since, "retiring" Soderbergh has directed two features, a TV series, and an interactive app. I guess Frank Capra was right when he said, "Film is a disease. When it infects your bloodstream, it takes over as the number one hormone. It bosses the enzymes, directs the pineal gland, plays Iago to your psyche. As with heroin, the antidote to film is more film." Anything for a fix.

And we who watch and write are not innocent, either. I believe the term is Co-Dependent?

Tuesday, March 13, 2018

The Florida Project (2017)


When Allison Anders was looking for a cinematographer to lens her film Mi Vida Loca, lots of candidates tried to impress her by talking about the “gritty” looks they were capable of getting. Anders opted for Rodrigo Garcia instead, because he recognized that the whole point of the movie was to be from the POV of Echo Park residents who see their neighborhood as the most beautiful place on earth. A quarter century later, Sean Baker and his team appear to have taken the same approach to their film - The Florida Project.

Just because the budget is small, the actors are non-professional, and the locations are functional, doesn’t mean the film has to look like garbage. From frame one, The Florida Project has more style than 90% of the crap out there. Cinematographer Alexis Zabe and Production Designer Stephonik Youth are able to turn a couple motels and a few restaurants into a child’s wonderland that is on-par with the amusement park around the corner. This movie can seriously stand toe to toe with Killer of Sheep and Pather Panchali as a romantically subjective depiction of impoverished living, featuring non-actors, that still bluntly acknowledges the brutality that can encroach from any and all directions. And then there’s that ending!

How was this not a Best Picture nominee and Three Billboards was? This world is a cruel place. But it’s also beautiful.